Monday, March 31, 2025

POST 7: HOW DO YOU MAKE IT?- Evan Pierce Blumer

     Sky Hopinka is a very talented filmmaker whose work heavily focuses on Native American and indigenous life and culture. He's very proficient in his medium, choosing film to help not only teach stories and myths from indigenous culture and legends, but also preserving their purity and showcasing them in full sincerity without thinking about the pressures of audience expectations. At the core of his work, he is influenced to use film in order to focus on language, grammar, identity, and landscapes- specifically, the divergences in structure and rules in each- while also pushing himself to his creative limits and giving his work otherworldly and hallucinatory vibes, effectively sucking in his audience into it.

    My artistic process and materials are somewhat similar yet completely different. I mainly stick to purely traditional art- you can usually find me with my head in a sketchbook using lead pencils, inking pens, and fiber tip markers. I mainly use these because I genuinely enjoy using pure raw drawing materials and seeing all of the faded, erased pencil lines and all of the little strokes of the markers. For me, it feels entirely human and shows the effort I put into my work. When it comes to my process, I go into it with the mentality of making art that is both creative and meaningful. I want my work to be something people can have fun with but also take something important from it as well.

post 7 sky hopkina: how do you make it - fatima flores

    sky hopkina was inspired by the language of chinuk wawa; he believed that learning this language would help him establish a framework or foundation for his approach to video production. until years later, hopkina saw how he approached video, in the same way that he did with grammar, language structure, and all these many rules or methods for language learning. and simply trying to determine what it was that he was interested in, as well as how quite similar they are, in these subtle ways. hopkna uses his meduim of choice by understanding the chinuk wawa language, which has served as a basis for multimedia and narrative approaches for a long time, and it still does so in many ways.

    the materials/medium that i use is, pencil, charcoal, oils, acrylics, rarely oil pastels, colored pencils and markers; i also use an ipad for digital art. i’m used to using pencils, charcoals, and acrylic paint from high school ‘til now, but i am always mesmerized by pencil and charcoal art because they look super realistic, like they’re in black and white film. i don’t like painting so much, but i got inspired to paint again by an artist, online. her realism paintings is what drew me to try oil paint again. i love creating digital artwork the most, every time i scroll on tiktok, twitter (or x), and instagram, i’m such in awe. it’s truly inspiring to see digital art pieces made from tablets and phones. everyday, i get a wisp of creativity to make art on my ipad. 


Sunday, March 30, 2025

Post 7 How Do You Make It?- Samantha Castro

 How does Sky Hopinka use his medium of choice? What inspired him to use video?


Sky Hopinka’s work is deeply tied to language, landscape, and Indigenous identity. He uses experimental film techniques to explore these themes. He became serious about filmmaking while learning Chinuk Wawa, which shaped his approach to video. He saw parallels between the structure of language and the structure of film. His work often combines video footage, archival materials, and poetic narration, using overlays and visual distortions to create a dreamlike atmosphere like Mnemonics of Shape and Reason.


What material/medium/process do you use and how? What inspired you to make your work that way?


For my own medium and process, it can vary across drawing, painting, ceramic, digital, and mixed media. However, my primary medium would be painting. Often focusing on my identity and personal narrative. Though I’m still learning my mediums I like to experiment especially with mixed media, and incorporate personal and cultural imagery. What inspires me to make my work is that creating personal work comes naturally, it’s easy when it’s about yourself. I’m interested in exploring my multifaceted identity, not just as an individual but through everything connected to me, like my culture and history.


Saturday, March 29, 2025

Post 7 - How Do You Make It? - Aileen Herrera Ojeda

How Do You Make It?

  • How does Sky Hopinka use his medium of choice? What inspired him to use video?

Hopinka uses the medium of video in order to represent themes like indigenous culture, language, and space. This inspiration to work with this medium came from learning of Chinuk Wawa feeling as though the same approach of learning languages could be applied to approaching video. Learning Chinuk Wawa gave him a foundation as to how to approach video work as well as his storytelling. His videos consist of visuals that give the viewers a sense of mystery, otherworldly, and eerie. Personally, I found "Mnemonics of Shape and Reason", to be weirdly calming. 

  • What material/medium/process do you use and how? What inspired you to make your work that way?

As a graphic designer my medium would be computer programs like Adobe InDesign, Illustrator, and Photoshop. But I think this expands depending on what we are designing. My process when designing is pretty simple, usually when I get an assignment, and I am already coming up with rough ideas, aesthetic, and compositions. For more inspiration I go to my Pinterest boards, but from there I just start designing, picking fonts, and images. I think no matter what project I am working on what inspires me is the end result. There is something so amazing and prideful to see your work finished and in the physical world. 

Friday, March 28, 2025

POST 7 - Sky Hopkina - Abagail Serrano

Abagail T. Serrano

Sky Hopinka & My Process


1 . How does Sky Hopinka use his medium of choice? What inspired him to use video?

Sky Hopinka uses video to examine themes of language, cultural identity, and Indigenous representation, combining experimental techniques with documentary-like elements. Hopinka comes from a deeply creative family, which influences his approach to storytelling through film. He sees a connection between language structure and the way films are constructed, using this relationship to shape his work. Hopinka carefully balances the stories he tells with respect for their origins, recognizing that they hold meaning beyond himself. His use of video extends the purpose of myths and stories, preserving their significance while exploring what they can teach both Indigenous and non-Indigenous audiences. He is able to preserve indigenous culture and stories this way.



2 . What material/medium/process do you use and how? What inspired you to make your work that way?

My work is mostly digital. I begin in a sketchbook, from here I transfer that image by photographing or scanning. I import it into my drawing software of choice, these include krita, Adobe Photoshop, adobe Illustrator or Procreate, and then begin to do linework, followed by flat color, and then shading and lighting. This started when I began traditional work. I did a lot of watercolor and alcohol based marker work. 
Instead of putting my work into software I would trace it on a light table, and then do the same system. Line art and then the rest. The sketching process is always what assists me in generating ideas. I often play music and pull up different references to inform this process too. The way my art ends is usually printed and sometimes left digital. My preference of printing is simply from the physical aspect of it. I get to decide the size and look of the image off a screen. This is also because of the visual, I like to have a little control in the final look of one of my works. If it stays strictly digital it changes the way that my art looks. It changes the size, color, brightness, finish, and more. If I choose how my work is displayed I can make it exactly to my liking. I love textile, the idea of making book illustrations, trading cards, and illustrations for display are key. Other than this, there are times when I leave my work on the screen, this is because I want them to be viewed as if you were watching a cartoon, as character design is key to that form of media. So in the end, cartoons, cards, books, and displayable illustrations are my focuses. 

The way I make my work is heavily influenced by my experiences in childhood, from viewing cartoons to being forced to grow up fast. There is something comforting to me to use a more cartoon-like style. I also have a relationship with art that has to do with my in person relationships and experiences. My work is a result of my connection to the artistic and creative process as much as it is my messages and missions. There's something so special about the physical part of art to me. Before I could afford a tablet, laptop, or paid software, a 2b pencil and a dollar store notebook were my sword and shield. As I moved forward pencil and paper never left the process as a result of my entire family giving them to me, and my addiction to stationery. Trading cards and picture books are things I grew up around. I had picture books around me that I adore, and my aunt and uncle, like many millennials, had books of pokemon, digimon, and Yu-gi-oh cards that they would let me see and not touch.

Tuesday, March 25, 2025

Sky Hopinka

 

  • How does Sky Hopinka use his medium of choice? What inspired him to use video?

Sky Hopinka uses video as a means to explore themes of language, identity, and Indigenous representation. His works blend experimental and documentary techniques, incorporating layered imagery, nonlinear narratives, and poetic storytelling. He frequently includes his own voice and the voices of others to reflect on personal and collective histories.

Hopinka was inspired to use video as a way to reclaim and reimagine Indigenous storytelling. His background in linguistics and interest in endangered Indigenous languages, such as Chinuk Wawa, led him to see film as a tool for preserving and sharing cultural narratives. Through his work, he challenges mainstream representations of Native people and creates immersive experiences that encourage audiences to engage with Indigenous perspectives on time, place, and memory.


  • What material/medium/process do you use and how? What inspired you to make your work that way?

As a graphic designer, my medium is digital; my tools are Adobe platforms, grids, typefaces, and colors. My process is research, experimentation, iteration. There isn’t some grand existential reason behind my choice of software, it’s simply the best means to an end.

It feels unfair to ask graphic designers to unearth some deep-seated, conceptual rationale for our materials when fine artists are allowed to create purely for the sake of expression. A painter chooses oils or acrylics because of their texture, their history, their permanence. A photographer selects film or digital based on process, grain, nostalgia. Fine artists can sell an invisible sculpture because they are selling CONCEPT. As a graphic designer —our work exists to communicate, to solve, to serve. We are not led by musings but by the needs of the client, the expectations of an audience, and the demand for clarity.

Our work is everywhere, shaping the world in ways so seamless, so integrated into daily life, that its impact is often overlooked. Every sign that directs, every package that entices, every interface that guides, these are all the hands of a designer at work. We do not just make things look good; we make things work.

So what inspires my work? The challenge. The craft. The ability to take chaos and turn it into something refined, structured, compelling. I design because I love making things visually striking, because beauty and function can coexist, because clarity is an art form in itself. That is my purpose. That is my medium. 

Wednesday, March 19, 2025

Post 6 - Midterm Presentation - Aileen Herrera Ojeda


Hi! I am Aileen Herrera, a junior graphic designer. Currently at a pivotal point in my design career, trying to figure out my messaging. So here is a little presentation detailing my influences as well as my messaging!

https://docs.google.com/presentation/d/1WajbuJow3G_C77ycl1rFb-7SXp8GHhwWTDtYJuUf0yM/edit?usp=sharing


POST 6 midterm - Olga





Midterm Presentation:

https://docs.google.com/presentation/d/1I1boJLOw22Odum69_QOhQA2aZdC4E6nb/edit?usp=sharing&ouid=110944081251308036063&rtpof=true&sd=true 

Post 5 - Pedro jimenez

 "Images of Black men and Black women should speak on many levels, calling to mind in the viewer a range of issues and concerns.”


The artist used her body as a medium for her own art, an archive of her work. Seeing so much disinformation regarding Black people's culture and how they are perceived. Her work takes a deep look into the life of Black people and wants to create a space where Black women can look back at their own issues, moving on forward. Exploring and documenting her own life, in different series of work that surround her as the main focus.


“Everything Black people in America have seen or experienced has been filtered through that primal experience of exile, and that includes a longing to return to 'the promised land.'"


There are so many promised lands if you think about it, the epiphany of being exiled, pushed away from the parasocial narrative of society and living behind a wall of information. In this case, Carrie Mae Weems wanted people to see her documentation on Black women and issues that surrounded her culture.

Monday, March 17, 2025

Post 4 - Marla Indhira

The Mission of My Work


My work is about capturing raw, honest moments that feel real and unfiltered. I don’t aim to explain everything in my images, I want people to feel them. Art, to me, is about experimenting and creating, not about making things easy to understand.


I focus on themes of identity, independence, and change. I’m interested in how people navigate personal freedom while facing outside pressures. My portraits highlight the tension between who we are and who we’re expected to be, showing moments of vulnerability, strength, and transformation.


I want my images to make people feel something whether it’s discomfort, nostalgia, or connection. My goal isn’t to give answers but to make people pause, think, and see things differently. Through my work, I hope to capture small, powerful moments of truth that might otherwise go unnoticed.


Thursday, March 13, 2025

POST 5 Art on My Mind by bell hooks

 Quote 1:

"I’m always trying to figure out how we negotiate our place in the world-how we are seen and how we see ourselves."


Response:

This quote indicates Weems' exploration of identity and representation. She is quite concerned about how the Black, especially the Black woman, navigates visibility and self-perception. Always seeking to reclaim the gaze for the rightful presentation of Black bodies-in all their complexity and dignity-her work often challenges the dominant narratives. In this, she aligns herself with a discussion introduced by bell hooks around the way in which one constructs an identity in America through visual culture.


Quote 2:

"Photography can be a way of bearing witness, but it can also be a way of creating myths." 


Response:

Photographers conceive meanings both at once and in between, as Weems identifies with the documentary aspects of photography. She captures real experiences and histories and at times reweaves them into narratives that seek to humanize Shoals challenge histories raided. This pairs with bell hooks' critique of mainstream representations and the need for counter-narratives that center marginalized voices. 

Thursday, March 6, 2025

MIDTERM PRESENTATION

https://1drv.ms/p/s!AnjCIZz1El2dgXwAxn0NLwtnTlQ7

Post 5 - Art on My Mind - Carla Herrera

 Art on my Mind by Bell Hooks 

Two quotes: 

Black images can only stand for themselves and nothing more (PDF)
 
I believe the artist is referring to the cultural points that her images represent. Specifically, the direct visualization of a black person, the subject, in which is interacting with a specific space. The images of a black person that is unique to the identity of being black. There is not much that can be interpreted from if the specific intention is already contextualized.  

Contestation is different from confrontation pg. 92 (PDF) 

 

This quote refers to how contestation is about confronting issues or ideas while confrontation refers to having a direct conflict or problem. This is an interesting quote because it defines how similar these themes are but being very different concepts. This refers to how the artist is being subjective rather than being more personal or emotional in her response.  

 

Notes: 

There was something different that I wanted to explore, work that had the appearance of documentary but was not at all documentary. It was highly fabricated work. 

 

All the pieces in the Kitchen Table series highlight "the gaze," particularly the piece where the woman is sitting with a man leaning against her, his head buried in her neck, a mirror placed directly in front of her, but she looks beyond that to the subject 
 
Your work immediately challenges our sense of blackness 

 

 

Post 4 - Message/Mission of Work - Carla Herrera

What is the meaning, idea, and message of your work?  

 

The idea or message behind my work pertains to what my current interests are. They can either have a direct meaning of what I am actively doing (It is highly influenced by the various variables I experience at school or daily life). For example, photography work. I took a photography class because I wanted more knowledge in how to manipulate captured time. It is important to understand how interest shifts over time since sometimes we do not know exactly what type of work to focus on. This is why I prefer to describe myself as an experimental artist. Indulging in different bodies of work and seeing what I am most particularly interested in. In my different artwork, I want my audience members to feel all types of emotions. It can either be a positive or negative reaction. Regardless, it is about the principle of art consumption. This creates conversation, hopefully I can relate to and grow from. I hope my work can accomplish a sense of appreciation. As different variables influence my artwork, noticing the subtle changes in my work is a form of accomplishment I aim for. For the various messages I try to reach my viewers with or without.  

 

What is a problem in the world that your work helps to solve or a story it helps to tell?  

 

My work helps tell people how versatile work can be. There is not one approach to creating art and that is the beauty in how the artistic world works (in my own opinion). Experimenting with different styles is how I believe I’ll eventually find my own style. 

 

What is important to convey in your work?  

 

In my work, it is important to convey a limitless boundary. There is either an objective structure or expressive manner when seeing my work. That range is the important factor I want to show others. I can either work with acrylics, oil or gouache. I can work traditionally or digitally. This ranges from different mediums and tools. What I make next might not be like the other and that spontaneity is what I enjoy.  

 

How do you want your audience to feel?  

 

I want my audience to feel connected with my work. In a manner where they stay interested in what my work has to offer. Observing the work I create makes it feel more appreciated and I want my audience to feel the creativity I had in that moment.  

 

How do you imagine the work will be received?  

 

I imagine my work will be received by people who enjoy experimental and expressive work. Regardless of the context of the work I provide, these people enjoy the process of creation I produce. I imagine those who are particuarly open-minded would enjoy my work more. 

 

What does the work accomplish 

My work accomplishes a sense of expressive mannerism. There is not one approach I use to create my artwork and that is the current area I keep experimenting with in my work. I use different approaches so I can find what I am most comfortable in creating.  

 Alice, 2024

Digital Poster

 

 Digital Pattern Collage, 2022

 

  Self Portrait, 2024

 Absence, 2023

 

Shallow, 2022
Scanned drawing
Experimental work
No Idea, 2022
Scanned drawing
Experimental Work




 

Eyes on us, 2024
Experimental Work
Scanned drawing, Intensified on Photoshop


 Jellyfish, 2023, Photography