Saturday, April 5, 2025

POST 8- ART HISTORY- Ai’jhana Cutler

 Which movement(s) from art/design history do you feel the most akin to and why?

I feel as though I’m drawn to the Harlem Renaissance and Surrealism eras because of emotions being the driving force and/or contributing factor to both movements. In general, the Harlem Renaissance is imbedded into my culture as an African American. Certain medias that I was introduced to by my grandparents and older relatives (while the medias not being from the 1920s) is influenced by the Harlem Renaissance as it allowed a space to explore creativity for the community. Surrealism taps into the subconscious; I like that aspect of contorting reality as it’s just visually interesting to me. Both movements occurring around the same time in the 1920s 30s, make sense as it’s origins is linked to historical events like the end of WWI. There’s a political aspect to both as they are results to one’s social climate and I find it interesting how both reflect different reactions and attitudes—like celebration and escapism.

 

There are certainly connections between the two movements and my work. I like to include iconography so that may come across as surrealist in a way depending on the concept. Also including black figures into my work as visibility and representation is important to me. Combining this all with a composition where I’m able to evoke an emotion, it creates that connection between my art and the audience.


Some comparisons:


The Lovers 1928, by René Margritte


Untitled (Work in progress), 2025
While I don’t consider myself a surrealist painter there is a surrealist aspect to this work that I’m realizing as I compare these two.

The Banjo Lesson, 1893 by Henry Ossawa Tanner


Destiny and Briana, 2024 Charcoal Drawing



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